Forget about tiny LCD screens, being lost in menus and sub-menus, and trying to remember double functions and complex procedures. MatrixBrute brings back the fun and the immediate hands-on experience of synthesis.
When you want things to shake, grab the Sub Osc slider and bring it on. When you want it to sizzle, grab the filter knob and open it up. And when it’s time to unleash the beast, grab the Brute Factor? knob and turn it loose! It’s that easy.
1. Three Analog Oscillators:
Sawtooth, Pulse, Triangle, waves with the unique waveshapers that have become the trademark of the 'Brute' sound. There is also a sub-oscillator on each of the two Brute oscillators.
2. Combination VCO/LFO oscillator:
The third Osciallator can be used for both audio signals and LFO modulation at the same time. You do not have to choose either operation here so you can always have that big 3 oscillator sound.
3. Noise Generator:
Noise generator with White, Pink, Red and Blue noise types. The most versatile on the market.
4. Audio Mod:
The AUDIO MOD section allows for complex oscillator and filter FM possibilities bringing whole new tonalities to your sound.
5. Performance Controls:
Pitch bend and mod wheels and 4 Macro encoders which can be assigned to any of the modulation destinations for instant hands on performance playing.
6. Voice Modes:
Multiple keyboard modes for mono, paraphonic and duo-split modes. Split oscialltors for paraphonic mode or use the duo split mode to play a sequence while playing notes over the top of it.
7. Three LFO’s:
Two standalone LFO’s with 7 waveforms and trigger modes allow for complex modulations. The combination VCO/LFO adds a 3rd LFO in the syste
Mix and blend Oscillators 1, 2, 3, as well as the noise generator and EXTERNAL input sources. Route each mixer input to the filter of your choice using the FILTER assign buttons.
9. Steiner-Parker filter:
We have upgraded our Steiner Parker filter to support both 12db per octave and 24db per octave slopes as well as a DRIVE control for making thicker sounds. The 4 modes, Low pass, band pass, high pass, and notch allow for a vast array of sound making possibilites.
10. Ladder Filter:
We have included a traditional beefy Ladder filter with both 12db and 24db per octave slopes as well as Low Pass, High Pass & Band Pass modes and a Drive control. This filter design is known for making punchy bass and thick lead sounds.
11. Filter routing:
The two filters can be patched in series or in parallel configurations.
12. 3 Envelope Generators:
The two ADSR envelopes and the 3rd DADSR envelope give you plenty of sound sculpting tools.
13. 256 Memory locations:
Store and recall your favorite sounds at the touch of a button. You can organize, save and load new banks of sounds using the free MIDI Control Center editor application. We deliver MatrixBrute with 128 factory presets.
14. The Matrix
The matrix is the heart of Matrixbrute. It allows for complex modulation routing, step-sequencing and instant preset recall.
Modulation Routing: You can assign any of 16 modulation sources to any of 16 mod destinations. 4 destinations are user programmable and can be seen in the e-ink display. Set amounts of each modulation routing using the data encoder.
Step Sequencer: The matrix can be used as a 64 step sequencer with separate STEP, ACCENT, SLIDE and MODULATION steps.
Preset Recall: In Preset mode the matrix allows you to recall any of 256 presets at the touch of a button.
15. True Analog Effects.
To enhance your sonic pleasure we have added an analog and Delay/ Chorus/ Flanger to the output. Choose from any of 5 operation modes. And YES! the controls in the analog effects can be set as modulation destinations in the Matrix.
16. Sequencer/Arpeggiator controls
The sequencer and arpeggiator add to the playability of the Matrixbrute. Multiple modes of both the seq and arp allow for unlimited musical ideas to be realized.
The 49 note keyboard features both velocity and aftertouch for a musical feel with plenty of expression.
18. Master Audio Outputs:
Stereo ?” jacks for your master audio outputs.
19. Control Voltage Interfacing:
12 CV Inputs and 12 CV Outputs allow the Matrixbrute to interface with your standard 1V per octave modular synth gear.
20. Audio Input:
Line and instrument levels allow for adding an external oscillator from your favorite modular synth or processing a guitar or bass through the filters, VCA and analog effects.
21. Gate I/O:
The Gate inputs and outputs allow you to trigger external gear or trigger the internal envelopes remotely.
22. Sync in and out
This allows you to synchronize the MatrixBrute’s sequencer and arpeggiator with external devices.
23. Pedal Inputs
Expression and Sustain pedal inputs give you real-time control to expand on your expressive capabilities control.
24. MIDI Interfacing
Standard MIDI in, out and thru will connect you to both modern and vintage gear alike.
USB I/O allows you to interface to a computer DAW directly. This is also the link to use our free editor/librarian software provided for the MatrixBrute.
The scariest beast of all is the MatrixBrute - that thing’s amazing because it brings a flexibility of modular synthesis with the convenience of digital patch saving.Tom Salta
( Composer )
MatrixBrute is the most powerful synth out there.Stefano Ritteri
( DJ/ Producer )
Arturia MatrixBrute and especially the matrix modulation section changed my workflow, not only in studio but also on the stage.Rolandas Venckys
( Producer )
When I first played on the MatrixBrute, I spent nearly an hour just exploring one sound! There are so much tonal possibilities from having 2 different filters, many stages of gain/distortion and great oscillator parameters. Very powerful for shaping sound and a great hands-on experience.Rival Consoles
( Producer )
Very unique, extremely addictive. The MatrixBrute yields results that I can't get on other hardware with this kind of intuitive, clean functionality. I think it's a modern classicJustin Meldal-Johnsen
( Nine Inch Nails, Paramore, Beck )
Very easy and intuitive to use and the sounds are myriad and ultra-phat and beautiful. And of course, with the matrix, the possibilities are endless. Thank you for another home-run, Arturia!John Grant
( Singer / Songwriter )
In LCD Soundsystem we have some of the most insane, cobbled together synth set ups on the planet. I got the MatrixBrute because I knew Arturia took its MIDI/CV logic very seriously, and I can always make them work with my more esoteric stuff. Not only does the machine itself, internally, work super well to make sounds, but in true Arturia fashion it allows an integration with the insanity of modules we already have via the intense amount of control outputs. The alternative always seemed to be some sterile, inflexible “fake” sound we could pre-progra The MatrixBrute lets us have our cake and eat it, too.James Murphy
( LCD Soundsystem )
The MatrixBrute is a unique, versatile and powerful anolog synthesizer that just sounds amazing. I particularly love the flexibility of the modulation matrix, macro controllers and MIDI implementation which make programming it for live use on tour incredibly easy.Benjamin Harrison
( Singer / Songwriter )
Harsh driven bass sounds made alive by multiple LFO modulation and live tweaking to bring back and forth the different oscillators levels.
This chilly nu-disco beat makes a great showcase of the different sounds in the preset bank. All the sounds were made with the MatrixBrute, except the drum parts. 3 different presets are used : MalletLead, BrassLead, UnissonBass
This lead has two parts : oscillator 1 is playing a typical MatrixBrute key sound taking advantage of the famous Arturia triangle Metalizer, while oscillator 2 adds a more classical flavour. Heavy hand tweaking from the Touché gathers the two flavours into one unique sound !
A tribute to one of the ancestors of modern synthesizers. Haunting and expressive lead sound drowned in the built-in delay.
Starts as a classic mallet-like plucked patch, this sounds ends up as something way more modern and bright. Bring out the drums !
Classic analog brass-like pad with rhytmical cutoff modulation to make the playing feel like an actual ensemble.
Starts as a soft arpeggiated bell sound then gradually morphs into a full blown 3 oscillators lead before suddendly going back to the initial sound.
- Analog Matrix Synthesizer
- 256 Preset memory locations
- 2 Analog Exponential VCO’s:
- Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer, Sub
- 1 Analog Linear VCO/LFO
- Saw, Square, Triangle, Sine waveforms; LFO time divisions; Key track
- VCO 2>1 Hard Sync
- Audio Mod:
- VCO1>2 ; VCO1 < VCO3> VCO2 ; VCF 1 < VCO3> VCF 2 ; VCF1 < Noise> VCF2
- Noise Generator:
- White ; Pink ; Red ; Blue noise types
- 5 input Audio Mixer with Filter routing
- Steiner Parker filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass, Notch
- Ladder filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass
- 2 LFO’s
- Sine, Tri, Square, Ramp, Saw, Random, S&H
- 3 Envelope Generators
- 2 Attack, Decay, Sustain, Release
- 1 Delay, Attack, Decay, Sustain, Release
- External Audio In
- 16x16 Matrix modulation panel
- 64 step sequencer
- STEP enable, Slide, Accent, Modulation
- Save and recall sequence patterns on the fly
- Analog Effects
- Stereo delay, Delay, Flanger, Chorus, Analog Reverberator
- 12 CV / Gate Inputs/Outputs
- Audio Input, Line or Instrument level
- Stereo audio output
- MIDI and USB I/O
- Pedal inputs for Expression and Sustain